Andy Warhol and Mick Jagger

May 22nd, 2013
Andy Warhol and Mick Jagger

Andy Warhol/Mick Jagger

Andy Warhol’s portrait of Mick Jagger is as iconic as the two artists were themselves. Since Ackerman’s Fine Art is now offering one of these portraits, we thought you might enjoy learning more about the relationship Andy and Mick had with each other.

How Warhol Met Jagger

Andy Warhol and Mick Jagger met at a party in 1964, when the Rolling Stones were on their first US tour. At this time, both were rising to fame and establishing their image.  The Rolling Stones were viewed as the dirty alternative to the clean-cut Beatles and art collectors may have viewed Andy Warhol in a similar way compared to other artists of the time, such as Wayne Thiebaud, Japer Johns and Tom Wesselmann.

The artists’ first collaboration was for the Sticky Fingers album cover, in the 1971.  Mick Jagger described Warhol as nothing more than a voyeur in a tour documentary in 1972, but admiration grew over the years. Both Warhol and Jagger realized that the other could help build their image.  Their relationship and collaborations over the years was partly a business arrangement with lavish rock-star parties.

Origin of the Mick Jagger Portraits

Andy Warhol created a series of 10 portraits of Mick Jagger in 1975, when prompted by the Seabird Editions Company in London who offered to publish the screen prints.  That summer, while Mick and his wife, Bianca where staying at Andy’s house in Mautauk, Andy took the photographs of Mick himself.  The photographs were all head and bare-chested torso shots of Jagger.  Andy wanted to capture different emotions and personas of Mick; happy, thoughtful, seductive, tough, arrogant, etc.  The portrait available at Ackerman’s Fine Art, Warhol exaggerated the lower lip and used a purple color patch over one eye to suggest it was bruised.  This is meant to project a mood of starry, stupefied menace in Mick Jagger.

Back in the studio, Andy created the screen prints from the photographs and added hand drawn stylized lines and color patches to enhance the mood of each piece.  Both Andy Warhol and Mick Jagger signed the final prints as a savvy marketing ploy.  Jagger’s audience was much larger than Warhol’s collector base, so having Mick’s signature would help increase exposure of his work. For Mick, the portraits would help enhance his image.

Warhol’s Portraits and the Art Market

Portraits were big business for Andy Warhol in the 70’s.  Celebrities and others could pay $25,000 to have their portrait done and get an amazing experience out of the process.  When Andy Warhol died, Mick said “The thing that he seemed to be able to do was to capture society, whatever part of it he wanted to portray, pretty accurately. That’s one of the things artists do, is show people later on what it was like. If you want to be reminded of a certain period, you can look at what Andy was doing then. He was very much in tune with what was going on. Of course, he was criticized for that, for being sort of trendy. But I think some people’s great forte is being so in touch.”

Jagger embodied the sex, drugs and rock and roll world that Warhol was fascinated with. Andy Warhol saw himself as a modern day portrait painter capturing the noblemen and royals of our time. Mick Jagger could not have been a better subject for that purpose.  Visit the Ackerman’s Fine Art website to see the Andy Warhol / Mick Jagger portrait.

3 Tips to Help You Begin Collecting Fine Art

April 24th, 2013

Collecting fine art

Everyone loves some form of art, but how do you begin collecting fine art?  The art world can be an intimidating place and full of closed circles. The trick is educating yourself and finding the right resources to help you make informed decisions.

If you are just starting, you probably have lots of concerns and questions.

  • Which gallery do you go to and how do you know if you can trust them?
  • What kind of art should you collect?
  • How do you know if a piece is actually good and authentic?
  • How do you know if you are getting a fair price?

These are all questions that become easier to answer with time and experience.

3 Tips to Help Yourself Begin Collecting Fine Art

1) Look at a lot of art before you buy anything. When starting out, the most important thing you can do is look a lot of art.  Go to as many galleries as you can that specialize in your area of interest. This will help you determine what kind of art you feel the most passionate about and start making contacts. Some galleries specialize in a small niche, but others offer expertise in wider range of art genres. Some galleries include antiques. Others, like Ackerman’s Fine Art, tend to focus on paintings and specialize in only American and European artists who have already left a mark in history.

2) Find an advisor or dealer that you like working with. This can be invaluable. When you’re ready to acquire a work of fine art, you want to find a dealer you feel comfortable with. When you’re collecting fine art for your own enjoyment you want someone who takes the time to understand what you like and to understand your needs.  You don’t want someone who just wants to sell you what they prefer or are trying to move out of their gallery.  Finding the right dealer is like trying to find the right realtor or investment broker.  You need to get referrals and do your homework before selecting one.

3) Keep informed about news in the art world. A great way to cover a lot of territory in the art world and stay abreast of what is happening in the market is to subscribe to some art publications. Some favorites among art dealers are The Art NewspaperArt and AntiquesArt in America and Art News. There are many others, so explore a few different magazines to see which ones cover what’s most interesting to you.

Collecting fine art is something everyone can do, even with a limited budget, and without a degree in art history. There is something for everyone and your collection can be fine-tuned as you go. Soon, you’ll find it addictive. Remember to only buy the best works from an artist and always buy art that you love. If you also want your collection to be an investment, work with a dealer with expertise and connections to help you negotiate a purchase and advice on how best to take care of your collection for the future.

To get more information on how to start a collection, contact Kenny Ackerman at Ackerman’s Fine Art.  If your interests are outside of his focus area, he will refer you in the right direction.

Taos Painter Ernest Martin Hennings | Available at Art Gallery in New York

March 28th, 2013

A Taos Founder, Ernest Martin Hennings (1886 – 1956) is known for his depictions of the people and places of New Mexico. Sent to the area in the early 1920s with the support of his patrons, Ernest Hennings’ paintings masterfully captured the light of the southwestern United States, layering thin strokes on top of one another. His technique was unique, first rendering the landscape as the backdrop for his paintings and then adding figures in after the fact. Taos painter Ernest Hennings’ work was brightly colored, capturing the blue skies and vast plains of New Mexico. Focusing on the Native Americans as his subject matter, Ernest Hennings created dynamic portraits and action shots of those residing in the Taos region.

Though it was with the Taoist painters that Ernest Hennings developed his style and came into his own as an artist, he had also experimented with the popular Art Nouveau movement and studied classical realism, thinking it best to be open to many different forms before defining his aesthetic. When he moved to New Mexico, he did just that, and swiftly became regarded as one of the most talented artists in the Taoist movement.

To learn more about the Taoist painter Ernest Martin Hennings, and Ackerman’s Fine Art, an art gallery in New York, please watch our video below:

Ackerman’s Fine Art is actively purchasing works by Ernest Martin Hennings. Please get in touch to sell your art orcontact us to purchase artwork by Ernest Martin Hennings.

Need a daily dose of inspiration? Follow Ackerman’s Fine Art on FacebookTwitterPinterestGoogle+Linkedin, and Youtube!

 

How to Determine the Condition of a Painting

March 27th, 2013

When buying previously owned items – from cars to vintage clothes to paintings – condition dictates a lot about the quality and value of a piece. Whether you’re a novice collector or have an extensive body of art on your hands, it helps to work in conjunction with an art restorer or gallery owner to determine the condition of a painting. We’re here to give you a few tips on just that: how to determine the condition of a painting.

The Question of Condition

The condition of a painting can be measured by two major factors: structural damage and paint loss, which is also called abrasion. Structural damage would include issues like tears in the canvas, whereas abrasion, as its name suggests, is damage caused by the scraping or wearing away of paint.

Abrasion frequently occurs on the edges of a painting, usually caused by the frame and movement of the painting. But it’s also known to occur as the result of harsh cleanings made to a painting by previous restorers. When these abrasive cleanings happen, retouching is generally required to reverse the damage done.  Restoration work involving retouching can be seen under an ultraviolet light, which is why it’s important to work with someone who knows what they’re looking at when determining the condition of a painting.

What to Look out For

Let’s delve a little deeper into more specific factors to look out for in trying to determine the condition of a painting, and by extension, whether or not it is worth acquiring. As a part of noting structural damage, you’ll want to see if the painting has been lined, or whether it is on its original stretcher. Paintings are lined when the canvas has weakened over time, tears have occurred, or the paint is cracked or flaking. When done well, lining a painting can contribute positively to the preservation of the piece. It’ll also be important to look into whether the painting has been patched in the past or striplined, which is when the tacking edges are reinforced. You’ll want to make sure any restoration work that’s been done has been done well.

If the painting has been previously restored, retouched, or cleaned, try to figure out the quality of the job. Can you see the changes made with your naked eye? Can any poorly done restorations be remedied?

Finally, research or ask a restorer or gallery owner what the expectations are for the condition of a particular piece– there will be different measures of condition for a relatively new painting versus one created over a century ago, and it’s important to keep that in mind.

Get Help Determining Condition

At Ackerman’s Fine Art, we can help you source condition reports, reputable art restorers, and authentications for any piece you’re interested in purchasing – even if it’s not currently a part of our gallery. For more information about how to determine the condition of a painting and for assistance selecting pieces for your collection, please call Ackerman’s Fine Art at (800) 791-6509 or send us an inquiry via email: ackermansfineart@gmail.com. We look forward to working with you in your endeavor to source great art!

Need a daily dose of inspiration? Follow Ackerman’s Fine Art on FacebookTwitterPinterestGoogle+Linkedin, and Youtube!

 

Rudolf Bauer’s Non-Objective Art

March 22nd, 2013

With success as both a commercial illustrator and experimental master, German painter Rudolf Bauer (1889-1953) was a multi-faceted artist. Creating political cartoons and graphics that appeared in popular magazines, Rudolf Bauer was well-regarded by the public, who latched on to his amusing caricatures with satirical expressions that gently poked fun of certain aspects of society.

But Rudolf Bauer was more than just a cartoonist – he created avant-garde pieces that played with concepts from Cubism, Futurism, and Constructivism. His work was key to the non-objective art movement, which was a form of abstract art influenced by Cubism. In this type of work, the subject matter is not recognizable, and the focus is on crafting a symphonic grouping of shapes and color. As its name suggests, then, non-objective art contains no real object – or at least not one that is identifiable as something familiar.

Rudolf Bauer’s experiments in this medium were effectively emotive, his pieces making allusions to weighty topics like the war in a period when Germany had outlawed negative portrayals of the war. Titling his works with phrases that translate to expressions like, “miserable field of gray,” and painting crosses interpreted as representations of the casualties of war, Rudolf Bauer found a way around the stipulations on expressionism in his cultural milieu.

Ackerman’s Fine Art is actively purchasing works by Rudolf Bauer. Please get in touch to sell your art or contact us to purchase artwork by Rudolf Bauer.

Need a daily dose of inspiration? Follow Ackerman’s Fine Art on FacebookTwitterPinterestGoogle+Linkedin, and Youtube!

Sources:

Rudolf Bauer: A Non-Objective Point of View

 

Benefits of Buying Art from a Gallery

March 20th, 2013

Buying art is a little like buying a car: even if you have knowledge of mechanics, you’ll want to purchase from a dealer with a solid reputation and expertise.  There are many benefits of buying art from a gallery; here are just a few.

  • A lot of galleries stand by their art, meaning they are often willing to participate in trades in the event that you want a new piece or find a work that suits your taste even better.
  • Art galleries and dealers work closely with their clients to understand their needs and put them in touch with pieces and artists that they’ll love.
  • Perusing galleries gives current and hopeful collectors alike the opportunity to refine their eye, and provides a built-in community where appreciators can discuss the pieces they love.
  • Much of the work in galleries has been authenticated, meaning you have a guarantee about the history and origins of the piece you seek to purchase.
  • Gallery owners develop a rapport with those who visit, acting as knowledgeable experts on the subject matter they display, and educating even those who aren’t in the market to buy art.
  • Buying from a gallery eliminates the high-stress process of purchasing art from auctions, wherein sales happen quickly and the seller is not responsible for damages, issues of quality, or authenticity.

 

Ackerman’s Fine Art is a private art gallery and dealer located in Purchase, New York specializing in American and European paintings from the 19th, 20th, and 21st centuries. We take pleasure in helping our clients build and reinvent their collections. At Ackerman’s every painting we sell is screened for authenticity, quality, condition, and value – making them a great addition to the personal gallery in your home or office.

If you are interested in working with us as a potential customer, please take a moment to register with us.  By knowing your preferences (styles or artists), we can notify you as soon as new art work is available that matches your areas of interest. We look forward to collaborating with you.

Need a daily dose of inspiration? Follow Ackerman’s Fine Art on FacebookTwitterPinterestGoogle+Linkedin, and Youtube!

Satirical Strokes: The Nude Portraiture of John Currin

March 15th, 2013

John Currin (b.1962) is a part of the modern resurgence of figurative painting, and his work explores the eroticism of the female form. His highly technical skill, which conjures up comparisons of Renaissance portraits, makes it easy to forget that John Currin satirizes his subjects. Often exaggerating the proportions of women’s bodies, Currin draws inspiration from the modern day models and popular magazines that present what some will argue is an equally distorted view of what women’s bodies look like.

 

In his parody, John Currin makes his own social commentary about the pressure to keep up with appearances, about the desire of middle-aged women to look young – even if they wind up making themselves look preposterous in so doing. With heads too small for bodies and vice versa, John Currin draws attention to what has become the ideal body type and the way that women are often expected to look.

 

Considered highly controversial and known to provoke offense, John Currin’s paintings unabashedly take viewers outside of their comfort zone, forcing onlookers to confront his often awkwardly represented nudes. Critics and fans alike await his next move, ever-shocked by the places he goes with paint.

 

To learn more about the nude portraitures of John Currin, please watch our video below:

http://www.youtube.com/watch?v=qRrCHr-5Ips

Ackerman’s Fine Art is actively purchasing works by John Currin. Please get in touch to sell your art or contact us to purchase artwork by John Currin.

For more information, please call Ackerman’s Fine Art at (800) 791-6509 or send us an inquiry via email: ackermansfineart@gmail.com.

Need a daily dose of inspiration? Follow Ackerman’s Fine Art on FacebookTwitterPinterestGoogle+Linkedin, and Youtube!

Sources:

Art Review; With Barbed Wit Aforethought

How to Judge the Quality of Artwork

March 14th, 2013

When buying a new garment, you might run your fingers along the fabric, testing its softness, or check the label to see if the clothing designer who made it is a desirable one. You may even scrutinize how big the seam allowances are and whether it has been hemmed or simply left unfinished. All of these details reflect upon the quality of the piece, and that same attention is used in judging the quality of artwork.  Here are a few guidelines art experts use in order to determine the quality of a piece of artwork. Keep these in mind when selecting new pieces of art for your personal collection.

Keen on Quality: How to Judge the Quality of Artwork

1)      Know how representative the piece is in terms of the artist’s work – and whether or not it’s considered to be one of his best examples. Generally, what qualifies as an artist’s prime period of production is agreed upon by professionals in the art world and other collectors. It can help to speak with a scholar of the artist’s work, a collector, authenticator, or gallery owner who has knowledge of the particular artist’s body of work.

2)      Provenance and exhibition history are also important aspects in the effort to determine the quality of a piece. Both previous ownership and past exhibitions can indicate a degree of selective interest, relevancy, and significance. These in turn impact the judged quality of a piece.

3)      Finally, the condition of a piece itself will also prove an essential part of determining quality. Over time, artwork will naturally degrade, and poor attempts at restoration and conservation as well as any damage a piece may have sustained will impact its quality. The idea is that the better preserved a piece is, the closer it will align with the artist’s original intent, which is meant to be conserved by those who own, collect, and care for artwork.

As you select artwork for your personal collection, be cognizant of where it falls in the spectrum of an artist’s work, who has owned it in the past and where it has been displayed, as well as its condition. All of these factors will help you to determine the relative quality of a piece, and whether it is a worthwhile investment.

For more information about how to judge the quality of artwork and selecting pieces for your collection, please call Ackerman’s Fine Art at (800) 791-6509 or send us an inquiry via email: ackermansfineart@gmail.com.

Need a daily dose of inspiration? Follow Ackerman’s Fine Art on FacebookTwitterPinterestGoogle+Linkedin, and Youtube!

How to Judge the Authenticity of Art, Part I

March 8th, 2013

Authenticating art is an identification process. Just as it takes an eye to know what era a piece of furniture was made in, or what jeweler created the setting for an antique necklace, determining the authorship and quality of a painting is a systematic procedure that requires a bit of skill. Here are a few guidelines that gallery owners and independent collectors alike use in judging the authenticity of art.

Care to Compare?

In assessing a piece of art to determine who created it, one of the first steps collectors take is to conduct a comparison of works. This involves either a pre-existing knowledge of an artist’s breadth or doing some research to start studying his pieces. Given that, is the art in question something that could fall into the body of his work? Style and technique are the two primary factors used to judge this. Though most artists mature and transform over time, art experts believe treatment of formal elements – composition, color, application of paint, and the like – is able to be recognized. Becoming an expert on a particular artist is something that can take many years, best accomplished by careful study of a multitude of paintings by the artist.

How to Begin?

Before you buy a piece of art, it’s important to have it authenticated by a verified professional – this will help guarantee that the investment you’re making is a wise one, while proving the authorship of the piece. As is the case with many artists, especially those from abroad, a coa (certificate of authenticity) is often mandatory for resale. At Ackerman’s Fine Art, not only do we stand behind the authenticity of every painting in our gallery, but we also perform authentication services for clients looking to acquire a c.o.a by the recognized expert, whether in the U.S. or abroad. We’re happy to help you in making sure the artwork you buy will be valuable pieces in your collection for years to come. For more information about art authentication, please call Ackerman’s Fine Art at (800) 791-6509 or send us an inquiry via email: ackermansfineart@gmail.com.

 

Wildlife Art by Painter Carl Rungius

March 7th, 2013

The zoo: a place where animals sometimes seem to practically pose to be painted – or in today’s case, photographed. Wildlife artist Carl Rungius (1869-1959) did the former, studying animal anatomy at exhibits while he was in art school at Berlin, sketching what he saw in order to learn more about the habitats and behaviors of the creatures before him. The time he spent examining these animals in captivity would be formative to his body of work as a wildlife artist – he went on to travel from Europe to the States, where he painted majestic animals of the West: elk, black bears, caribou, bighorn sheep, and more.

Carl Rungius created his art where his subjects lived: in nature. Considered a naturalist because of his expertise in the physical structure of animals, Rungius was also known for his use of color, which was vibrant and yet organic at once. In fact, Carl Rungius himself once advised, “If you paint outdoor scenes in the studio, your color gets too hot.  Only if you paint outdoors do you see the cool, silvery tones that are the true colors of nature” (Source). With intricate scenery as the backdrops for his paintings, Carl Rungius became known as the artist who painted beautiful landscapes – that also featured animals.

Learn more about Carl Rungius, his wildlife art, and New York Art Gallery Ackerman’s Fine Art in the video below:

Ackerman’s Fine Art is actively purchasing wildlife art by painter Carl Rungius. Please get in touch to sell your art or contact us to purchase artwork by Carl Rungius.

Need a daily dose of inspiration? Follow Ackerman’s Fine Art on FacebookTwitterPinterestGoogle+Linkedin, and Youtube!